ART

50-100mm F1.8 DC HSM

The diameter of the diaphragm is the second-largest in the Sigma lens lineup after that of the Sigma 200-500mm F2.8 /400-1000mm F5.6 EX DG, necessitating smoother and quicker operation than ever before. To achieve this goal, the diaphragm blades feature Carbon Feather film, and the diaphragm unit features a new polycarbonate made with fluorine. Thanks to these innovations, diaphragm operation is exceptionally smooth even during continuous shooting, while the new polycarbonate is exceptionally durable and wear-resistant.

From the start of the design process, Sigma measured flare and ghosting to establish an optical design that is resistant to strong incidental light sources such as backlight. At the prototyping stage, Sigma used not only simulations but actual photographic experiments to assess flare and ghosting under multiple criteria, identify the causes of these issues under a wide range of situations, and take measures to mitigate them. In addition, Sigma’s Super Multi-Layer Coating helps further reduce flare and ghosting and provide sharp, high-contrast images even in backlit conditions.

Since its release, the Sigma 18-35mm F1.8 DC HSM | Art has been widely used for videography. Understanding that the Sigma 18-35mm F1.8 DC HSM | Art and new Sigma 50-100mm F1.8 DC HSM | Art will often be used together, Sigma has made the style of operation the same for both lenses, including the feel of focusing and zooming. Thanks to Sigma’s inner focus and inner zoom technologies, adjusting the focus and zoom rings does not change the length of the lens, and turning the zoom ring is not prone to cause focus shift.

The tripod socket is compact, making operation more stable and comfortable during handheld photography. Parts with electro-less nickel plating help ensure the quality and durability of the 90-degree click stops and smooth switching between the horizontal and vertical position. The shape of the socket also enhances ease of handling and carrying when the lens is not attached to a camera.

The degree to which light is refracted by glass depends on the light's wavelength. This fact causes different colors of light to focus at slightly different points. The result is chromatic aberration, the color fringing that is particularly noticeable in telephoto lenses. Most chromatic aberration can be removed by combining a high-refractivity convex lens element with a low-refractivity concave element. Yet residual chromatic aberration known as "secondary spectrum" may still remain. To minimize this secondary spectrum, which can be a serious issue with conventional lenses, Sigma lenses feature up to three types of exclusive low-dispersion glass offering superior performance: ELD (Extraordinary Low Dispersion), SLD (Special Low Dispersion) and FLD ("F" Low Dispersion). In particular, FLD glass offers ultra-low dispersion in combination with high transmittance and the anomalous dispersion characteristics of fluorite. Meticulous deployment of these types of exclusive low-dispersion glass and optimization of power distribution gives Sigma lenses superlative image rendition undiminished by residual chromatic aberration.

The 9-blade rounded diaphragm creates an attractive blur in the out-of-focus areas of the image.

The brass mount combines high precision with rugged construction. Its treated surfaces and enhanced strength contribute to the exceptional durability of the lens.